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from:
The Los Angeles Times
May 18
THE ROXY'S POWER-POP
PLAY: SEVEN BANDS BUT NO PROGRESS
During a set Tuesday at the
Roxy by veteran band the Last one of seven acts on a bill
showcasing a putative resurgence of local power pop two
guys tried to get a good mosh going. They picked the wrong crowd,
as almost everyone did their best to ignore them.
Ladies and gentlemen, presenting
Nice Wave.
The point of this movement
which some have termed the Pop Underground seems
to be to make music for people who might like the energy, but
not the anger and snottiness, of Green Day and other neo-punks.
In theory that's fine, but Tuesday there was way too much looking
back to give the sense of forward momentum that bands such as
Elastica have lent to England's New Wave of New Wave.
Surface pleasures abounded,
though, especially in the set by the Wondermints, whose lush,
'60s-ish baroque pop recalls everything from the Beach Boys to
recent revivalists Jellyfish. But as expertly and even imaginatively
as the quartet conjured its sounds, we'd heard it all long before.
Same for the Sugarplastic (recently signed by Geffen), a trio
whose clever but cold songs recalled XTC and early Talking Heads.
If this movement doesn't start
moving forward, it'll be overrun by the next nostalgia-fueled
trend, which by our calculations will be . . . Depeche Mode electro-pop.
Steve Hochman
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